By Margaret L. Press
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Additional info for Chemehuevi: A Grammar and Lexicon
This interconnection manifests itself with special force in Faulkner’s 1954 essay, ‘‘Mississippi,’’ Essays, Speeches, and Public Letters, 11–43. 34. See for example Albert E. Cowdery, This Land, This South, 199. 35. Again, this is by no means to say that Leopold lacked a sense of irony, of selfreflexivity, and of awareness at the mixed motives and changing agendas of human beings toward nature, including himself. See for example, H. Lewis Elman, ‘‘ ‘Thinking Like a Mountain’: Persona, Ethis, and Judgment in American Nature Writing,’’ Green Culture: Environmental Rhetoric in Contemporary America, ed.
19 This seems a wry acknowledgment of the link between hunting rituals and extraction of wealth from the woods. The addition of ‘‘The Bear’’ and ‘‘Was’’ to the original sequence obviously places much more emphasis on the romance of old preindustrial days versus the comparatively shabby present, on wilderness versus settlement culture, and on white innocence versus hard-bitten middle and old age, with the latter no longer chiefly represented by the cranky Lucas, but by the more idealized figure of Sam Fathers.
20) Faulkner’s point of view regarding the natural world, then—at this juncture in his career, at any rate—is doubtless that he may do whatever is necessary with the natural world to render the world according to art. 10 As he constructed that literary sensibility, Faulkner entered nature more and more through his own previous perceptions, judgments, and expressions of nature. If, as he sometimes tries to convince us, Faulkner grew up in the rural South and was barely half-educated—both untruths, of course, but let us suppose that he was rural but could read—why doesn’t he come on in a more naturalistic and less literary mode?
Chemehuevi: A Grammar and Lexicon by Margaret L. Press