By Guido Ruggiero
Mining the wealthy Venetian records, specifically the surprisingly precise documents of Venice's personal department of the Roman Inquisition, Guido Ruggiero presents a strikingly new and provocative interpretation of the top of the Renaissance in Italy. during this boldly dependent paintings, he develops 5 narrative bills of person encounters with the Inquisition that illustrate the double-edged metaphor of the way passions have been either sure by means of overdue Renaissance society and have been visible in flip as binding humans. during this approach new views are opened on magic, witchcraft, love, marriage, gender, and self-discipline on the point of the group and past. Witches, courtesans, prostitutes, ladies healers, nobles, Cardinals, and renegade monks and priests communicate from those pages describing their lives, ideals, hopes, fears, and lies. With an innovative aptitude for storytelling and impeccable scholarship, Ruggiero exposes the wealthy complexity of the tradition and poetics of the standard on the finish of the Renaissance and illuminates a formerly unexplored bankruptcy in Italian heritage.
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Additional info for Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance
18 Although this specific magic using olive branches was unusual, its form was typical, as we will see, in its binding, its use of the holy, and even in the rhetorical forms used. 19 Thus Andriana's magic seems to have failed. Or maybe not, for if we suspend disbelief, the timing of events allows a different interpretation. Following China's testimony in late October 1581, the Holy Office, not willing to rely on her word alone, sent their officers with her to Andriana's house. There they found the olive branches bound and planted as China had testified.
I agreed with Giulia Napolitana that she come to sleep with me at my house and I left her four gold Scudi. .
2 And crucially, the prostitute and the illicit world that surrounded her were key figures in Aretino's attack. As the title implies, Aretino's dialogues span six days; during the first three, Nanna, a Roman prostitute herself, and her friend Antonia considered the real options that women faced in the Renaissance, deciding that prostitution offered the only honest life. The last 24 Love Bound 25 three days were dedicated to instructing young Pippa how to be the best prostitute possible. The argument of the dialogues develops out of Nanna's autobiography because she had experienced each of the three options—life as a nun, as a wife, and as a whore.
Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance by Guido Ruggiero