Download PDF by Gerald Guinness, Andrew Hurley: Auctor Ludens: Essays on Play in Literature

By Gerald Guinness, Andrew Hurley

ISBN-10: 0915027208

ISBN-13: 9780915027200

This can be a ebook approximately play perform instead of play concept. after all, perform presupposes conception, yet right here the editors decide to hold basic theoretical assumptions below hide as opposed to strength them into explicitness. The participants to this quantity got loose rein to debate whatever element of literary play stuck their fancy. The absence of a predetermined theoretical framework has led to an idiosyntractic quantity at the varied kinds of play.

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6 7 2 . Gesammelte Werke, [All translations are my own. M. ] 2 Brecht, Ueber eine nichtaristotelische Dramatik, Gesammelte Werke, vol. 15, p. 3 Brecht, Zur Theorie des Lehrstuecks, Gesammelte Werke, vol. 17, p. 1024. 266/7. 4 Ibid. 5 Ibid. p. 1023. The passage quoted was to form part of a book to be entitled Pedagogies. 6 Brecht, Anmerkung (zu den Lehrstuecken), Gesammelte Werke, vol. 17, p. 1035. , Gesammelte Werke, vol. 5, p. 432/3. 8 Roger Caillois, Jeux des Adultes in Jeux et Sports, Encyclopédie de la Pleiade, vol.

It follows that the actual performance of the play becomes secondary; the main emphasis lies on the process of rehearsal. The final performance has value only insofar as it forces the participants to crown the rehearsal process with a final existential experience of maximum intensity and concentration. The audience, while also able to learn something from contemplating the performance, derives its chief value from forcing the actors to reach the highest possible pitch of concentration. In the case of his most ambitious—and undoubtedly his finest— Lehrstueck, Die Massnahme {The Measures Taken), Brecht, in fact, finally came to the point where he insisted on the elimination of the audience altogether.

He must unleash crises. Naturally he must 34 ESSLIN not be afraid to admit that he does not always know "the" solution, that he does not always have it up his sleeve. The confidence of the participants must, rather, be based on his being able to make apparent what is not a solution. He must contribute questions, doubt, a multiplicity of possible points of view, comparisons, memories, experiences.... 11 Brecht was, in the last phase of his life, as artistic director of the Berliner Ensemble in East Berlin, in the fortunate position of being able to live up to this ideal.

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Auctor Ludens: Essays on Play in Literature by Gerald Guinness, Andrew Hurley


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