By Harry Y. F. Lam
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Additional info for Analog and digital filters; design and realization
Avoid 4mm beads for embellishment; the beads sit up too much and place stress on the threads. 5 For embellishment, string 1 seed bead, 1 3mm fire-polish bead, and 1 seed bead. 6}. FIG. 4 6 Repeat this embellishment stitch across the row. FIG. 5 FIG. 6 T E CHNIQUE S : Right-Angle Weave 31 JOIN PEYOTE STITCH TO RIGHT-ANGLE WEAVE Sometimes you’ll find it necessary to switch from one stitch to another, as in the projects The Story Pendant (page 64) and Tales from the Attic (page 58), where the beadwork captures the focal piece by drawing in.
1 Working in right-angle weave, with size 11° seed beads, and 8 beads in each unit, exit the thread out of a set of 2 beads along the front edge. Using the same size 11° seed beads, string one 11° seed bead and pass through the pair of 11° beads in the next right-angle-weave unit. 1}. Step up into the first bead added in this round. 58 E AT TI C, PA GE TA LE S FR OM TH FIG. 1 FIG. 2 32 THE A RT OF FORGOTTEN THINGS 2 In the next row, switch to cylinder beads. String 2 beads, skip the pair of beads from the right-angle-weave row, and pass through the next bead added in the previous row.
Cut microscope slides to size to fit photos or collage elements. Clean the slides or the beveled glass and place the photos inside. 6 Foil around the entire edge of the sandwiched glass and photos as described on page 42, overlapping the foil. 7 Tape along the outside edge of the sandwiched glass and photos with double-sided tape. Leave the plastic coating on. Using size 11° Japanese seed beads, weave a strip of right-angle weave just long enough to fit around the edges of the sandwiched glass.
Analog and digital filters; design and realization by Harry Y. F. Lam