New PDF release: After the Irish Renaissance: A Critical History of the Irish

By Robert Hogan

ISBN-10: 0816668817

ISBN-13: 9780816668816

After the Irish Renaissance used to be first released in 1967.This account of up to date Irish drama offers serious introductions to a few thirty or 40 playwrights who've labored in eire in view that 1926, the yr Sean O’Casey left eire following a riotous protest opposed to his play The Plough and the celebs. The date is looked via many as marking the tip of the Irish Renaissance, the intense literary flowering which all started with the founding of the Irish Literary Theatre in 1898 via W. B. Yeats, George Moore, and Edward Martyn.Although a lot has been written in regards to the writers of the Irish Renaissance and their paintings, many of the performs and playwrights of the trendy Irish theatre are really vague outdoor eire. This publication introduces their paintings to a broader audience.Among the writers mentioned, as well as O’Casey and Yeats, are Lennox Robinson, T. C. Murray, Brinsley MacNamara, George Shiels, Louis D’Alton, Paul Vincent Carroll, Denis Johnston, Mary Manning, Micheál Mae Liammóir, Michael Molloy, Walter Macken, Seamus Byrne, John O’Donovan, Bryan MacMahon, woman Longford, Brendan Behan, Hugh Leonard, James Douglas, John B. Keane, Brian Friel, Tom Coffey, Seamus de Burca, Conor Farrington, G. P. Gallivan, Austin Clarke, Padraie Fallon, Donagh MacDonagh, Joseph Tomelty, and Sam Thompson. the writer additionally discusses the Abbey Theatre’s contemporary historical past, the Gate Theatre, Longford Productions, the theatre in Ulster, and the Dublin overseas Theatre pageant, and gives a whole bibliography of performs and feedback. The ebook is generously illustrated with photographs.

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Additional info for After the Irish Renaissance: A Critical History of the Irish Drama since The Plough and The Stars

Sample text

The story certainly has the essentials of tragedy, and Murray brought to it all that fine structuring and purity of language can do. The problem, however, is that tragedy requires a richness of texture which The Karavoes lacks. If the author's caution had not led him to put his explosive fable in faraway Hungary, if he had set it in the peasant Ireland that he knew, and if he had written it in the rich peasant idiom that he could fluently command, then he might have written a tragedy instead of only a very actable melodrama.

It is a somber, rather Strindbergian, psychological study of a woman twenty years older than her husband, who so jealously loves him that she attempts to kill her own daughter whom she sees as a rival. Robinson concentrates so fully on character that the play remains merely a case history, absorbing but not widely applicable. He spends little time building up a realistic background; there is little sense of a surrounding society. Like The Father or Miss Julie, this play has its characters working out their story in an almost societyless vacuum.

SHADOW OR SUBSTANCE OF ATHEATRE early years. In 1907, the Playboy riots seriously damaged the theatre's attendance — much of that damage caused by Boyle's withdrawing his plays in protest against The Playboy. Finally, Yeats and Lady Gregory lured him back into the fold, and for years afterward, almost up to the time of O'Casey, a Boyle play was revived each season. Except for The Building Fund, Boyle's plays are negligible as literature, but they were effective theatre. His plots were moderately complicated, but clearly worked out.

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After the Irish Renaissance: A Critical History of the Irish Drama since The Plough and The Stars by Robert Hogan


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